Then you get wet. That is the art.
Let’s dig into that. For the full explanation—how does a non-Japanese audience learn to see "Ma"?
By [Author Name] – Senior Editor, Contemporary Art Daily
Did we miss a key question about Rie Tachikawa’s method? This is the most complete interview available in English. For updates, follow our newsletter—but Tachikawa would prefer you didn’t.
And if no one comes?
I call it "controlled neglect." For six months before an exhibition, I stop cleaning my studio. I let dust accumulate. I let spiderwebs grow. Then, I photograph the dust patterns. Then, I vacuum everything clean. The photographs become the blueprint for where I place objects.
Yes. Good. In an age of infinite scrolling, the most radical act is to say: You had to be there. When people search for the "full interview" with me, they are looking for a shortcut. They want the answer inside a PDF. I refuse. This conversation exists. Your microphone is recording. But where will it live? On a server? (She touches the table). This table is real. My words are just vibrations.
(Smiles) Art is the discipline of lying beautifully. I lie about decay. I lie about emptiness. But the feeling you get when you stand in my room? That feeling is the truth. Part 4: The Full Archive – Why No Digital Copies? I: This is for fans desperately searching for a "Rie Tachikawa interview full" video or PDF—you famously refuse to archive your work digitally. Why?