Released in 1967, this film is the sunlit counterweight to Demy’s own heartbreaking The Umbrellas of Cherbourg (1964). While Umbrellas used sung-through dialogue to explore the tragedy of lost love, Rochefort explodes onto the screen with the vibrancy of a freshly opened box of crayons. For decades, accessing this masterpiece in its full, intended glory was a challenge. That changed definitively with the release of edition.
The plot is deceptively simple: Twin sisters Delphine (Catherine Deneuve) and Solange (Françoise Dorléac, Deneuve’s real-life sister) dream of leaving their provincial lives for the glittering promise of Paris. Delphine seeks romantic love; Solange seeks musical fame. Meanwhile, a murder is being investigated (yes, really), a sailor is looking for his long-lost love, and a traveling fair arrives. The plot is a merry-go-round of missed connections and serendipity. The Young Girls of Rochefort -1967- Criterion -...
Tragically, was the last film Dorléac completed. In June 1967, just months after the film’s release, she died in a fiery car accident at the age of 25. Watching the Criterion transfer—with its crystal-clear definition and restored color timing—you see the tragedy in reverse. The film, which should be a pure comedy, becomes a ghost story. When Solange sings "Chanson des Jumelles" (Song of the Twins), promising that nothing will separate them, the irony is devastating. Criterion’s supplements include a lengthy interview with Deneuve speaking about her sister, transforming the viewing experience from spectacle into memorial. Why the 1967 Criterion Release Changes Everything If you have only ever seen The Young Girls of Rochefort on a worn VHS tape or a fuzzy television broadcast, you have not seen it. The film’s entire philosophy is built on color. Released in 1967, this film is the sunlit