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Ray Barone, for all his success, could not hang up a phone call without Marie’s guilt-tripping. But the genre of pure entertainment kept these characters safe. They were lovable losers. The audience laughed at the umbilical cord, not with it. This was the era of the "failure to launch" narrative—a safe, sanitized version of attachment that ensured no one actually got hurt. While Hitchcock planted the flag, it was the
